Best monitors for video editing 2023: Screens that make a splash

Video editors know how to put a monitor to the test. They need a monitor with great color accuracy, a healthy color gamut, 4K resolution, and, preferably, HDR. Very few monitors meet all these requirements, and fewer still do so at a competitive price—but a handful stand out from the crowd. These are the best monitors for video editing.  

To learn about what to look for in a monitor for video editing, scroll below our recommendations.

For even more monitor recommendations, check out our roundup of the best monitors across all categories.

Updated 05/11/2023: To include the Asus ProArt PA279CRV as our new choice for the best budget monitor for video editing. You can read more about this great new pick in the summary below.






Asus ProArt OLED PA32DC – Best monitor for video editing











Pros


The best SDR image quality yet

Good HDR performance

Long list of image quality features

Exceptionally sturdy

Numerous inputs, plus USB hub



Cons


HDR brightness could be better 

Glare can be an issue in bright rooms

Only 60Hz, no adaptive sync

















Best Prices Today:



$3499 at Asus





Asus’ ProArt PA32DC is best in class if you need a top-tier monitor for video editing. It will set you back $3,499—and it’s worth every penny

This monitor has a 32-inch 4K OLED panel that delivers super-sharp video, excellent color accuracy, and covers a wide range of professional color gamuts including Rec.2020 and DCI-P3. The OLED panel also has superior contrast and looks great in HDR, which is good news if you need to edit HDR content. No other monitor on this list comes close to matching the PA32DC’s HDR quality.

The ProArt PA32DC’s professional focus is obvious from its design. It’s extremely sturdy and includes a built-in handle. The height-adjustable stand can be detached and replaced with a pair of screw-on legs that collapse flat. These features might seem odd for a 32-inch monitor but are great if your work requires that you travel to a client’s worksite or assist filmmakers on-set.

It also packs plenty of connectivity including a total of five video inputs. One is a USB-C port with DisplayPort Alternate Mode and 65 watts of Power Delivery for charging connected devices. The on-screen menu system is extensive and offers a buffet of image-quality customization. The monitor even has a built-in colorimeter to assist with calibration.

Read our full

Asus ProArt OLED PA32DC review





Dell U3223QE – Best 4K monitor for video editing











Pros


IPS Black panel fulfills its promise 

Accurate color with wide gamut 

High brightness in SDR  

USB-C hub with 90 watts of power



Cons


USB-C hub lacks video-out or ethernet

HDR is merely passable










Price When Reviewed:

£1,183.50




Best Prices Today:



£973.00 at Amazon£1183.50 at Dell





The Dell U3223QE is a 32-inch monitor with 4K resolution and an IPS Black display panel. This panel, which is found in just a handful of monitors, has an improved contrast ratio when compared to older IPS panels. The result is a better sense of realism and dimensionality. The monitor also has a wide color gamut, great color accuracy, and a high maximum brightness.

HDR is supported and looks acceptable, though the Dell U3223QE is significantly behind the more expensive Asus ProArt PA32DC. However, alternative monitors in the sub-$1,000 bracket aren’t any better.

Connectivity is excellent. The monitor has a USB-C port with 95 watts of Power Delivery and DisplayPort Alternate Mode. It also drives a USB-C hub that expands connectivity to multiple USB-A ports, ethernet, and DisplayPort-out.

Video editors who want a smaller monitor should consider the 27-inch Dell U2723QE. It packs nearly identical features for a couple hundred dollars less than the U3223QE.

Read our full

Dell U3223QE review





Asus ProArt PA348CGV – Best ultrawide for video editing











Pros


Excellent SDR image quality 

Sturdy, hefty design 

Wide range of customization

120Hz refresh rate



Cons


USB-C hub lacks video-out or ethernet

HDR is merely passable


















Asus’ ProArt PA348CGV is a versatile ultrawide monitor that’s great for video editing—and many other tasks.

This monitor has a 34-inch ultrawide panel with 3440×1440 resolution. The resolution might be an issue for video editors who need to work in 4K, but very few ultrawide monitors offer a higher resolution than this. Video editors will appreciate the ultrawide screen’s improved multitasking and ability to show more of a video timeline at once.

The ProArt PA348CGV’s default color accuracy is superior to all other monitors on this list, despite its reasonable price, and it supports up to 98 percent of the DCI-P3 color gamut. This monitor has a standard IPS panel, so its contrast ratio doesn’t live up to the Dell U3223QE, but it otherwise goes toe-to-toe with Dell’s premium 4K monitor. HDR support is a bit better than the Dell, ranking it among the best you’ll find below $1,000.

Asus sweetens the deal with a wide range of features. The monitor has a USB-C port that can deliver up to 95 watts of Power Delivery for charging a connected laptop or tablet. It also supports a refresh rate of up to 120Hz and AMD FreeSync Premium Pro, which makes this a proper PC gaming monitor.

The Asus ProArt PA348CGV retails at an MSRP of $749.99, undercutting alternative ultrawide monitors with similar performance and features.  Its versatility and pricing make it perfect for video editors who work from a home office.

Read our full

Asus ProArt PA348CGV review





Asus ProArt PA279CRV – Best budget monitor for video editing











Pros


Plenty of connectivity

Numerous image-quality options

Extremely wide color-gamut

Good value for money



Cons


Mediocre contrast and brightness

Subpar HDR performance

Unimpressive motion clarity


















The Asus ProArt PA279CRV is an easy choice for video editors who need a 27-inch 4K monitor that delivers a wide color gamut on a tight budget. 

This monitor has an extremely wide color gamut covering 100 percent of sRGB, 99 percent of DCI-P3, and 98 percent of AdobeRGB. Its color performance is well suited to color grading and provides a realistic, lifelike look. Asus includes extensive image-quality adjustment options that help video editors tailor the display to their specific needs.

The monitor’s connectivity caters to the needs of video editors. It includes a USB-C port DisplayPort Alternate Mode and 96 watts Power Delivery, and this port can be used to drive a USB hub with three USB-A 3.2 Gen 1 ports. The monitor has extensive video inputs including one DisplayPort 1.4 and two HDMI 2.0, which, alongside the USB-C port, brings the total inputs to four. There’s even a DisplayPort 1.4-out port which can be used to connect a second monitor directly to the PA279CRV. 

Though it has many advantages, the PA279CRV isn’t perfect. It can struggle with dark content due to its limited content ratio and lacks the brightness to provide a good HDR experience, so video editors looking to create HDR content should pass on it. 

Still, the PA279CRV’s image quality is solid. And here’s the kicker: It carries an MSRP of just $469. That’s a great price for a monitor with this level of color performance. Video editors who don’t need to meet extremely rigorous color gamut and accuracy standards may see no reason to buy a more expensive alternative—the PA279CRV is just that good.

Read our full

ProArt PA279CRV review





Viewsonic ColorPro VP16 OLED – Best portable monitor for video editing











Pros


Versatile, useful stands

Good connectivity, cables included

Numerous image quality customization options

Top-tier image quality even at default settings



Cons


Speakers are included, but weak

Pricey for a portable monitor

No HDR

















Best Prices Today:



£472.00 at Amazon





The Viewsonic VP16-OLED is an unparalleled portable OLED monitor that combines excellent image quality with a versatile stand.

Video editors will appreciate the monitor’s 15.6-inch, 1080p OLED panel. It delivers on color accuracy and gamut, with 100 percent coverage of the sRGB and DCI-P3 color gamut, as well as 97 percent coverage of AdobeRGB. This surpasses many full-sized OLED monitors and beats virtually all portable competitors, making it an excellent choice for video editors who need a portable, accurate display. 

The monitor’s stand is a highlight. It can be used as a kickstand or expanded to hold the monitor upright, improving ergonomics and making it easier to use alongside a full-sized monitor. The stand features two USB-C ports for power and video input and a micro-HDMI port for use with devices lacking USB-C. Viewsonic includes necessary cables and a USB-C power brick, so you don’t need to purchase accessories.

Videographers will also love the monitor’s tripod screw mount. The VP16-OLED can be used as an external display with video cameras that support external display connections over HDMI or USB-C. Viewsonic bundles a display hood that reduces glare when using the monitor in a brightly lit studio or outdoors. 

The VP16-OLED’s only drawback is its price tag of $399.99, which is significantly higher than a basic 1080p portable monitor. Even so, the VP16-OLED is a worthwhile investment for professional video editors who need excellent image quality and versatility in a portable display.

Read our full

Viewsonic ColorPro VP16-OLED review





What to look for in a monitor for video editing

Video editors, like most people, will enjoy a monitor with excellent image quality—but most video editors have specific and demanding needs. Video editing can demand great color accuracy, 4K resolution, and support for HDR, among other features. Here’s what to look for in a video editing monitor.

Great color accuracy is a must-have

Color accuracy is a key benchmark for video editing. Video editors are responsible for ensuring a video looks right when viewed on a wide variety of displays and that its presentation fits the style the project demands. It’s hard to judge this, however, when working on a monitor with inaccurate color. High color accuracy is necessary for a video editor to guarantee the final cut looks right.

Thankfully, all the monitors on this list provide superb color accuracy. They back it up with a wide range of on-screen menu options that allow color and general image-quality customization. This helps a video editor dial in the monitor’s color accuracy and eliminate any small errors they notice. 

4K is the standard

4K resolution is the gold standard for video editing among an extremely broad range of video editing projects, from Hollywood films to YouTube videos. Most video editors will rarely need to support a resolution beyond 4K.

It’s technically possible to edit a video for 4K on a monitor with sub-4K resolution. This is especially true of less “traditional” content, such as video created for YouTube or social media. Still, 4K is preferable since it offers a 1:1 representation of the final cut.

Great HDR is ideal, but hard to find

High Dynamic Range (HDR) video is now rather common. Many devices, from smartphones to laptops and televisions, can display HDR content. That makes HDR alluring for video editors. Unfortunately, great HDR monitors are hard to find, and the best are very expensive.

All the monitors on this list can support HDR, which technically means it’s possible to use them for HDR video editing. Odds are you’ll have no problem editing HDR video for less-demanding platforms, like YouTube and social media, on any monitor listed here. However, the pricey Asus ProArt PA32DC is the only monitor on this list that holds up if you need to guarantee brilliant, accurate HDR results.

USB-C is a handy perk

USB-C has evolved into an excellent connection option that’s well suited to video editing. A single USB-C port can handle both Power Delivery and DisplayPort Alternate Mode. A monitor with a USB-C port that supports these features effectively doubles as a USB-C. hub, reducing clutter on a desk. It’s ideal for video editors who often use a USB-C compatible laptop to travel to, and edit at, remote worksites.

All the monitors on this list have a USB-C port with Power Delivery and DisplayPort Alternate Mode, though the amount of power and number of downstream ports varies. Dell’s U3223QE is the standout choice for connectivity, as it offers ethernet and DisplayPort-out in addition to multiple USB-A ports.  

How we test monitors

PCWorld’s monitor reviews are written by staff and freelance writers. Monitors are tested with the SpyderXElite color calibration tool to objectively measure brightness, contrast, color gamut, and color accuracy, among other metrics. Objective measurements let us directly compare dozens of monitors at once.

Our testing also accounts for special features that may give a monitor an advantage. A USB-C hub with extensive connectivity and Power Delivery is always preferable. We also like to see ergonomic stands, numerous video inputs, a wide range of on-screen menu options, and HDR support.

FAQ
1.
What makes a monitor good for video editing?

A great video editing monitor should have 4K resolution, good color accuracy, a high maximum brightness, an acceptable contrast ratio, and at least support the full sRGB color gamut. Premium video editing monitors should throw in a wide color gamut, excellent connectivity, superior contrast, and HDR.

2.
What is the best resolution for video editing?

4K is the standard. Nearly all video editors will work with 4K content at some point, and many work in 4K exclusively. It’s rare to work with a resolution above 4K, even in professional Hollywood and streaming workflows, though it does occur.

3.
Do I need HDR for video editing?

That depends on whether you’ll edit projects that need HDR. 

Creators working on YouTube and other online platforms can easily make the choice to ditch HDR: most viewers won’t notice. 

If you’re video editor with clients who need content for HDR, however, then you’ll need a monitor that can properly display it.

4.
Is an ultrawide monitor good for video editing?

Ultrawide monitors can be great for video editing, but they’re not universally better than a widescreen display. 

Going ultrawide is helpful if you work on hefty video edits with lots of extra content thrown into the timeline. They can also be preferable when editing a project in an ultrawide aspect ratio. 

Most ultrawide monitors don’t support 4K resolution, however, which might be an obstacle. Ultrawide is also an awkward fit for widescreen content and especially bad for portrait video: a rare situation, perhaps, but one that’s becoming more common as TikTok and YouTube Shorts gain popularity.

Monitors