5 common issues every DJ faces and how to fix them: “Aside from your digging, curation, selection and mixing skills, a basic working knowledge of the equipment is essential”

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“Hearing David Bowie’s Blackstar for the first time with Tony Visconti in the room and just working out the magic in that record. It was a pretty crazy, surreal experience”: Mastering maestro Joe LaPorta talks loudness, AI and being “very much a vibe guy

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"Sometimes we entertain the idea of having a producer working with us… but in our band, we are each other’s Rick Rubin": Justice on keeping production in house for new album Hyperdrama

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“This is insane - all my tracks are double the tempo”: Grimes is forced to apologise as her Coachella set is thrown into chaos due to “technical issues”

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New Suite for Immersive Mixing

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Scanner: "When I'm mixing, I play a kind of sonic Jenga. What can I remove, so that the work remains resilient and yet still tells the story?"

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“If you’re okay with what’s going on, the audience is too; and if you’re not okay with it, then they’re not”: Julian Lage shares some essential advice for solo guitarists

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“A well made budget headphone that can handle both mixing and recording duties”: the t.bone HD 815 review

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Naum Gabo: "In the late ’90s and early ’00s equipment was so fetishised. I’ve been in fancy studios that have all these iconic machines which are like museum pieces now, but they’re constantly breaking and their sound is well-trodden ground"

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Orbital on recording The Green Album: "We didn’t have multi-tracking equipment, so we’d get everything working and just run it out live. Any manipulation or synth magic would happen as it was going down - if you didn’t like it, you’d do it again&quo

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