Audio Pro > Magazines

Clearmountain’s 8060 plug-in from Apogee

Apogee say that their latest Clearmountain-series plug-in “brings the harmonics, warmth and unparalleled sonic character of Bob’s personal console into the hands of producers, engineers, and musicians worldwide.”

Sound On Sound

1 juil., 19:00

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"I never want the sample to be the whole thing - I want to mask it": Loukeman reveals his favourite plugins and unusual production techniques

Toronto-based producer Loukeman talks his new project Sd-2, sampling techniques and unconventional effects processing

Keyboard Magazine

1 juil., 19:00

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Can the Hotone Verbera Replace Your Favorite Reverb?

PG contributor Tom Butwin features the all-new Hotone Verbera. The dual-engine reverb pedal blends IR realism with algorithmic creativity and adds the ability to clone your favorite reverb effects. Hotone Verbera Convolution Reverb Pedal Verbera Convolution Reverb...

Premier Guitar

1 juil., 18:30

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"If your singing sounds like a dying cat, this finally kills the cat": This hilariously bad mic modelling plugin is free for International Joke Day

Caelum Audio's Toyphonic Micraliser is the plugin nobody asked for

Keyboard Magazine

1 juil., 17:16

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How to master virtually any software synth

Don't let your software arsenal overwhelm you - sometimes the best route to creative success is to mine just one instrument

Keyboard Magazine

1 juil., 17:00

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The Ventures Created the Language of the Electric Guitar

Surf’s up—it’s summertime. On this episode, we’re talking about the most legendary, well-choreographed, reverb-drenched surf rockers of all time, the Ventures. They not only created the template for instrumental guitar music, they influenced just about every classic...

Premier Guitar

1 juil., 16:45

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With up to $550 off in Fender’s summer sale, these are the 3 guitars I’d grab for any budget

Fender’s massive summer sale has just launched, giving you a great chance to save on a new Fender or Squier

Keyboard Magazine

1 juil., 16:30

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“It came off the rails quite significantly at the end of Hammer to Fall”: Brian May reveals Queen's Live Aid doubts, and how the band were "lacking oil"

Guitarist recalls “flaws” in their performance that day

Keyboard Magazine

1 juil., 16:24

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MXR Bass Synth Serves Up Intergalactic Grooves & Vintage Analog-Style Vibes

Co-designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth will turn your bass into a filthy funk machine, delivering a range of monophonic synth tones that call back to hits from Stevie Wonder, Michael Jackson, Parliament Funkadelic, and...

Premier Guitar

1 juil., 16:18

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“It was confusing to me, even when I did the record. I didn’t know that I was playing it in the wrong place”: Guitarist Daryl Stuermer on why Phil Collins had to set him straight when they were recording In The Air Tonight

“And then he put on this drum fill, which changed everything,” he says of the song's production

Keyboard Magazine

1 juil., 16:13

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“A creative reverb platform built for guitarists, synth players, and sound designers who want studio-grade depth”: With dual reverb engines, 16 algorithms, Crazy Tube Circuits’ Mirage is one serious reverb pedal with no menu-diving required

Mirage is designed for all ambient adventures, from adding some everyday space to soundscape design and shoegaze reveries – and CTC says a stripped-down single-engine version is in the works

Keyboard Magazine

1 juil., 16:00

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“It’s a $20 plugin… I love it because sometimes the problem with digital sounds is they just lack a little bit of character”: Steven Wilson reveals the plugin that's on "almost all" the guitars on his new space rock epic

And it turns out it is the same affordable plugin Finneas used on Billie Eilish’s Barbie track, What Was I Made For?

Keyboard Magazine

1 juil., 15:00

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Sampleson release Tactile

Tactile combines a ‘spectral freezing’ technique with granular synthesis, and features an X-Y interface that allows users to blend between layers of audio and create continually evolving soundscapes.

Sound On Sound

1 juil., 14:00

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“THEY’RE IN THERE!!! And they are LOUD”: Recordings of Oasis soundchecking in Cardiff are now online

But were they the actual band?

Keyboard Magazine

1 juil., 13:49

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“He wanted something that was a bit more heavier, had a bit more compression to it, a bit more gain”: Laney celebrates Black Sabbath's final show with a limited edition Black Country Customs reissue of Tony Iommi's TI100 signature amp

Originally launched in 2012, the TI100 is a dual-channel 100-watt tube head with footswitchable boosts, lots of gain, lots of crosses. This is an exacting replica, signed by the man himself

Keyboard Magazine

1 juil., 13:26

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“Try this on drums, and you'll end up with something similar to a classic gated drum kit. Eat your heart out, Phil Collins!”: Our go-to plugins for adding flavour to sounds

With so much processing available in modern DAWs, we take a look at some of the more left-field plugins and approaches for maximising the colour of your audio signal

Keyboard Magazine

1 juil., 13:00

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“Roger went absolutely nuclear, apoplectic. He had every right to”: Producer Bob Ezrin reveals what led him to fall out with Roger Waters over The Wall

He was too trusting with a journalist, apparently

Keyboard Magazine

1 juil., 12:59

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“As a musician, I don't want to spend time and energy scrolling through endless lists of samples. I don't think that's creative”: Output’s AI-powered Co-Producer picks samples for you, but is it streamlining workflows or outsourcing creativity to AI?

We speak to Output CEO Gregg Lehrman about the company's AI-assisted digital crate-digger designed to speed up sample discovery

Keyboard Magazine

1 juil., 12:29