“This is a number one smash record. Let’s not put it on a B-side and lose it”: How one of Madonna’s most iconic hits grew from cheap filler to international chart-topper

Lire la suite sur Keyboard Magazine

Voir aussi

Tax Pro explains The HITS Act: How To Deduct Recording Costs

Music Think Tank13 Aug

“Most of the tone came from how much timber had taken off the neck, almost to Ibanez levels of thinness”: Bare Knuckle supremo Tim Mills reveals the tone secrets of Jimmy Page’s legendary ‘Number One’ Les Paul Standard

Keyboard Magazine12 Aug

“Many of the Pro’s advantages are less towards sound, and more on the side of enhanced playability”: Alesis Nitro Pro review

Keyboard Magazine12 Aug

“They had the arrangement and I went, ‘Oh, this is finally my David Gilmour moment.’ The hair on my arms stood up”: Keith Scott on the making of Bryan Adams’ (Everything I Do) I Do It For You – the record-breaking hit no one saw coming

Keyboard Magazine 9 Aug

“I wanted to bring a new generation to this iconic street. It’s been so integral to British music”: Yungblud launches his B.R.A.T store in the heart of Denmark Street

Keyboard Magazine 8 Aug

"Everybody was screaming out, 'what record is that?!' It wasn't a record – it was the 808": Roland celebrates 45 years of the TR-808 with Rhythm Creators video series

Keyboard Magazine 8 Aug

Josh Smith on Blues, Tone, and Being True to Yourself | Off the Record

Premier Guitar 7 Aug

Isotonik Studios introduces MIDI Bounce for Ableton Live by Side Brain

Rekkerd.org 5 Aug

“Highlights just how often people are experiencing the dangerous side effects of being exposed to loud music”: New survey shows over half of Gen Z have already experienced hearing problems

Keyboard Magazine 5 Aug

“I got up and started walking round the room, singing 'Walking round the room, ya, ya, walking round the room’”: The surprising origins and intricate musical theory behind an iconic Police masterpiece

Keyboard Magazine 5 Aug

“It makes it sound like the music that I grew up on – the music that made me fall in love with dance music”: Why Silva Bumpa created his own R&B instrumental just to remix it into the garage-inspired Feel Da Same

Keyboard Magazine 4 Aug

MUSIC BUSINESS NEWS: YouTube expands fan Hype • Arts Center tickets rebound • Radiohead ’97 song hits Hot 100 • TikTok revenue • KPop Demon Hunters breaks records • More

Music Think Tank 4 Aug

“We never became so famous that we hated each other or fell out”: Saint Etienne on longevity, studio technology and recording their final album, International

Keyboard Magazine 1 Aug

"I saw The Beatles and it all made sense. From that point I needed music like I needed air! There was no other choice for me”: The singer who scored two No.1 hits in the '80s with the band that had fired him a decade earlier

Keyboard Magazine31 Jul

“The band provided me with this ridiculous music and I had to, of course, kind of step up to it”: The enduring appeal of the REM radio smash that Michael Stipe hated

Keyboard Magazine31 Jul

Spitfire Audio’s iconic effects and orchestral libraries now available on Splice’s plugin marketplace

Rekkerd.org31 Jul

From The Go-Go’s to Cher: Abby Travis Shares Her Journey Through Iconic Gigs and Personal Projects

No Treble28 Jul

“A huge moment, not just for me, but for the future of music”: AI ‘creator’ signs record deal with Hallwood Media

Keyboard Magazine28 Jul

“I went and got this big cast iron frying pan and a hammer, and I held it up facing this funky old mic and just went, bam!”: Terminator composer Brad Fiedel on the making of his iconic synth-fuelled sci-fi soundtrack

Keyboard Magazine26 Jul

“He pretty much wrote the whole song!He just started playing that bass line and we all knew it was killer”: How Alice In Chains’ Mike Inez got the ball rolling for Ozzy Osbourne classic No More Tears – but he never got the chance to record it

Keyboard Magazine26 Jul