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“He came in, and just on the first take, I was like, ‘Oh my God. I didn't know that a person playing eighth notes could do that much”: How Pino Palladino transformed the simple bassline in Miley Cyrus’s End of the World into something "so much bette

vendredi 22 août 2025, 15:33 , par Keyboard Magazine
'I just thought it would sound the same, but my God,' says awestruck producer Shawn Everett
Lire la suite sur Keyboard Magazine
https://www.musicradar.com/artists/he-came-in-and-just-on-the-first-take-i-was-like-oh-my-god-i-didn...

Voir aussi

much Two Notes ajoute 4 modélisations de pédales wah-wah à Genome Audiofanzine22 Aug
just "Every effort should be made to accommodate one if possible": Is an acoustic or an electronic drum kit better for beginners? Keyboard Magazine22 Aug
god Studio Major7th releases "Smooth Vocalise M" for Kontakt KVR Audio22 Aug
bassline "They may be the spiritual successor to Sony’s Scheps-approved mixing cans, but they tread their own path": Sony MDR-M1 review Keyboard Magazine21 Aug
simple Splash Sound releases "Virtual Stage" plugin KVR Audio21 Aug
palladino “There were plenty of drummers who could copy what Nicko did, but we don't want one of those. We didn’t want a clone”: Bruce Dickinson on why Maiden chose a drummer with a different feel Keyboard Magazine21 Aug
how “I didn’t feel the compassion, let’s put it that way”: Al Jardine criticises Mike Love’s speech at Brian Wilson’s funeral Keyboard Magazine21 Aug
pino "Classic and timeless": Slingerland Drums are back, and Bruno Mars' drummer and JR Robinson are on board Keyboard Magazine21 Aug
miley Why Every Bassist Should Learn Pick Playing: A Heavy Groove Lesson in A Minor No Treble20 Aug
end "It is not a polite instrument – nor is it clean, safe, or obvious": Cherry Audio revives the cult classic Crumar Spirit in its latest plugin Keyboard Magazine20 Aug
quot “I was playing the Fender Strat that Jimi Hendrix gave me. We wound up plugging the guitar straight into the board. That’s why it’s such a clean tone on that track”: Billy Gibbons on the making of ZZ Top's greatest blues song Keyboard Magazine20 Aug
bette “It was my bad… crossed wires”: Calvin Harris shuts down talk of a feud with Miley Cyrus after teasing a new song that previously had her vocals on it Keyboard Magazine20 Aug
something “After five minutes, I was like, can I just go back to the dressing room? My legs had turned to jelly”: Noel Gallagher on 'grossly underestimating' the band's tour, the gig he's most looking forward to playing and, yes, what he thinks of Liam now Keyboard Magazine20 Aug
into "This can't be serious": Billboard reveals the top producers of the 21st century so far – and people aren't happy Keyboard Magazine19 Aug
world Coming Soon: GameSoundCon – In-Person and Online Rekkerd.org19 Aug
much Des promos estivales chez Two Notes Audiofanzine19 Aug
just "No strings attached": The Crow Hill Company releases Lo-Fi Strings, a free tape-treated string library with a warm and nostalgic sound Keyboard Magazine18 Aug
god “It started off sounding a bit like Prince. I wanted to hear something in my mix so I cut out the snare and suddenly it changed the whole mood of the track": How George Michael accidentally created the ‘80s smash that’s now been picked up by Taylor Keyboard Magazine18 Aug
bassline "I downloaded it two years ago and it changed my life - it's one of my favourite synths": Rudimental reveal their favourite plugins for drum 'n' bass production Keyboard Magazine18 Aug
simple “I love this band and I love the people and the music… it's an oddly fulfilling experience": Colin Brittain on life behind the kit with Linkin Park Keyboard Magazine17 Aug
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