“When the record company heard it, they said, ’This is a number one smash record. Let’s not put it on a B-side and lose it’”: The low-budget recording story of one of Madonna’s most iconic hits

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“It was just like ‘Oh my God, this is everything I want an album to be,’ and it was unlike anything I’d ever heard before”: When Rick Rubin and Eric Clapton got to hear D’Angelo’s Voodoo album before it was released, they were completely blown away

Keyboard Magazine17 Oct

The Crow Hill Company sort Cello Motors

Audiofanzine17 Oct

“As soon as I've just finished a song, I'll double the lead part right away, while it's still completely fresh in my mind”: Four big-name guitarists spill their recording secrets

Keyboard Magazine17 Oct

The Crow Hill Company Announces Release of Tina Guo STORM CELLO Virtual Instrument for Composers

Music Industry NewsWire16 Oct

Universal Audio Introduces Volt 876 USB Recording Studio

Premier Guitar16 Oct

“I have a button on my iPhone that goes straight to voice recording because the ideas come fast. My list of voice memos is in the thousands!”: Wolfgang Van Halen discusses his songwriting process for his new Mammoth album

Keyboard Magazine16 Oct

"I was molecularly changed from the moment I first heard Voodoo – we all were": Jacob Collier, Beyoncé, Lauryn Hill, Flea and many more pay tribute to D'Angelo – "he changed the course of popular music"

Keyboard Magazine15 Oct

“The average upright contains around 12,000 parts - and 80% of those are moving”: How to record a real piano perfectly

Keyboard Magazine15 Oct

Universal Audio launches Volt 876 USB Recording Studio: Legendary analog sound for the whole band

Rekkerd.org14 Oct

“The best placement for a vocal mic is actually slightly above your vocalist, as it forces them to tilt their head back slightly”: 25 recording tips and tricks everyone should know

Keyboard Magazine14 Oct

The Crow Hill Company release Rhythm Machine

Sound On Sound14 Oct

The Crow Hill Company Rhythm Machine

Sound On Sound14 Oct

“He was tired and ready to leave, so he just started hitting anything on the keyboard. I was like: ‘that’s it right there!’ Then I just went in the booth and did the record”: The story of Get Ur Freak On, the bhangra-sampling hit that almost didn’t happe

Keyboard Magazine13 Oct

EastWest Modern Producer Bundle: Save 67% on ICONIC, Lo-Fi & String Machine

Rekkerd.org13 Oct

“Before we knew it we had a sound no one had ever heard before”: How David Bowie created one of the greatest songs of all time via a range of innovative recording techniques

Keyboard Magazine13 Oct

“It's an arcane 18th century German form of rap. I really enjoy it because it's an opportunity to say some quite bizarre things that I wouldn't necessarily be able to sing about”: The inside story of the Gorillaz classic Feel Good Inc.

Keyboard Magazine13 Oct

“You’d get the chart positions. ‘Oh, we're Number One again!’ It almost got boring after a while”: Brian May and Roger Taylor recall the making of Queen’s masterpiece A Night At The Opera

Keyboard Magazine10 Oct

Hisong's AirStudio S1 is a pocket-sized all-in-one recording solution for musicians on the move

Keyboard Magazine10 Oct

“Years from now kids are going to be like, ‘Damn, remember when Kendrick and Drake battled?’”: The story of Kendrick Lamar's ferocious, chart-smashing diss track Not Like Us

Keyboard Magazine 9 Oct

“Taking the mid-gain, tube-amp-driving concept even further”: Warm Audio channels the greatest hits of classic overdrive with the regal Throne Of Tone dual-drive and the 3-in-1 Tone Squealer

Keyboard Magazine 8 Oct