“I wrote the song in about 15 minutes, then I went home because I realized there was no point in working the rest of the day”: The quickly-written Death Cab for Cutie masterpiece that became a generational meditation on loss

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“It was all done on GarageBand – it’s live drums, but over this goofy funk drum loop I’d done on my laptop out on tour”: After working on one of the most expensively recorded albums of all time, drummer Josh Freese made his new solo record on the cheap

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“I remember my assistant putting on his headphones in the studio, and he took them off after a few minutes, looked at me and said, ‘Wow, this song is crazy’”: Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special

Keyboard Magazine 6 Dec

“I used to accommodate him. I'd isolate him, put him in a booth and not record him. The others, particularly Mick and Keith, would say 'Just tell him to get the hell out'": Beggars Banquet, the album that was the turning point for the Rolling Stones

Keyboard Magazine 5 Dec

“I was sitting there with my four-track and there was this riff that I had. I started singing this melody and saying that line, ‘I want to be yours…’ And I remembered the poem”: How Arctic Monkeys’ most popular song was created from early-’80s punk poetr

Keyboard Magazine 5 Dec

"One of the hardest things I ever had to do was mix that song": A music professor breaks down Steve Cropper and Otis Redding's (Sittin’ on) The Dock of the Bay

Keyboard Magazine 5 Dec

"They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of

Keyboard Magazine 4 Dec

“It was pretty much written in a day. I knew I had something quite special. Then the next day we played it with the band and it sounded like a bag of…”: How Neil Finn created the beautiful ballad that gave Crowded House a global smash hit

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"This isn't just about Jorja. It's bigger than one artist or one song”: Jorja Smith’s label claims royalties on AI track, allegedly trained on her voice

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"All the way through, I never stopped the tape once. He'd just go through the whole song and say ‘give me another track'. We did that nine times and then he said ‘I’m outta here’": Steve Porcaro on the two unreleased songs he wrote with Michael

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Death By Audio lance les Dream Station, Moonbeam Phaser et Thee Treble Overload

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Keyboard Magazine 2 Dec

Death By Audio Unveils Destroyer Series: Three Compact, Stereo Pedals Built for Maximum Mayhem

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“What we’ll do is maybe just take an acoustic, get the song done, upload it and say, ‘OK, I want to hear this song as a country song’ or ‘I want to hear this song as a rock and roll song”: Teddy Swims admits he’s used AI on his own material

Keyboard Magazine 1 Dec