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Review: Brad Watts Like most guitarists, I’ve slowly learned that more doesn’t always mean better. After years of recording guitar amps, I realised that hauling around a 100W head and a 4×12 cab was more hassle than it was worth. These days, I get convincing results...

Review: Mark Woods Portable column systems have become popular because they’re easy to transport and operate, with a full range sound that fills a small/medium space. Aimed mainly at DJs and solo/small bands, they’re also ideal for corporate presentations or...

Group Technologies Australasia has been appointed the new exclusive ANZ distributor of industry-leading German audio interface manufacturer RME Audio. Since its inception in 1996, RME has earned and sustained a distinguished position around the world, as a benchmark provider ...

Harrison Audio has announced the latest version of its renowned digital audio workstation software, Mixbus 11. Mixbus 11 is a fully featured music production suite that builds on Harrison’s 50-year legacy of producing the world’s finest recording consoles, bringing...

The Behringer MS-1 MK II Grey is a monophonic synthesizer with authentic 3340 analogue oscillator for insanely fat music creation. MK II Version features improved VCF and VCA designs, dual-mode portamento and Sync In functions, and a pure analogue signal path based on...

The very first product I reviewed for AudioTechnology was the original Audio-Technica R70x headphones way back in 2015. It was a perfect induction into review-writing because I had no trouble finding many nice things to say. True open-back headphones are a pleasure to listen ...

The Modal CARBON8 introduces radical new ways to create, experiment with and perform next-generation synth sounds. CARBON8’s sound engine, twice as complex as in the ARGON8 and COBALT8 series, embeds complex waveform algorithms and wavetables into an 8-voice superior synth ...