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mercredi 22 mai 2019, 20:42
To celebrate the label's 20-year history, owner Ian Boddy is making seven of the DiN sampler albums available for free download (name your price) on the DiN Bandcamp site. See news for details.
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Rock the latest tunes from Andy Gill, Chai, Reignwolf, and more!
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Discover how a critical difference between a self-contained guitar amp and a component rack system affects dynamic response and feel.
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Read about many of the new products launched at this year's show and watch the full-length video reports...
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mardi 21 mai 2019, 20:07
This handmade optical trem features several different LFO settings.
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Cage the Elephant’s Nick Bockrath joins us in riffing on our current top players and musical fixations.
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Choose your headstock and WIN a Discovery Series Guitar from Breedlove
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Designed to faithfully reflect the PRS model that started it all.
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We take the maple-capped, ’bucker-splitting, ebony-boarded 24-fretter for a spin, PG-style!
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The Suicide Swans decided to record their third album, ‘la Jungla’, differently – they used an ‘all analogue’ process but without all the analogue equipment. The album’s engineer Benjamin Lancaster tells us how they did it. Story: Benjamin Lancaster Artist:...
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In a moment of gear epiphany, Jonathan Burnside discovered Spectra 1964’s V610 Complimiter. Impressed and intrigued by how well this very old technology solved a very modern problem, he chatted with Spectra 1964’s co-owner Bill Cheney about the V610, the history of...
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In Part 1 of this two-part series, producer/engineer Nick Franklin reveals his dirty little secret: running a studio is a business. Here he explains how he stays in business thanks to the right tools. Story: Nick Franklin With sole traders making up a whopping 61 percent of...
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MARCEL GNAUK: FREE TO USE SOUNDS     Greg Simmons talks to the prolific Marcel Gnauk, co-founder of Free To Use Sounds. With no background in audio, Marcel started recording sounds and giving them away on the internet. Now he makes a living from it. Story: Greg Simmons It...
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SoundAcoustics owner, James Bellew, shows us how he made over the studio of our #treatmyroom competition winner with Australian-made acoustic treatment. Story: Mark Davie Last year AudioTechnology ran an Instagram competition with SoundAcoustics called Treat My Room. We...
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DDMF PluginDoctor exposes all the engine room secrets of your plug-ins. Revealing a few charlatans along the way. Column: Martin Walker People quite rightly say that you should mix with your ears and not your eyes, yet I’m still a firm believer that understanding some of...
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The hyper-competent new iMacs are the Apple desktop workhorse. But where’s the next fully customisable Mac? Column: Brad Watts I’ll confess to being a bit of a snob when it comes to the iMac. I suppose that derives from witnessing the very first iMacs inveigl their way...
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Yamaha Australia wanted to prove the average venue can get into spatial audio for the price of a conventional PA. So it built a system to prove it. Story: Mark Davie It wasn’t perfect conditions; outdoors on a sweltering 40-degree day, with the slatted roof of...
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lundi 20 mai 2019, 22:00
This raunchy, oscillating-octave fuzz wants you to do naughty, naughty things.
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Of course not. But he sure makes it sound good.
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Just say no to expressive tap dancing—at least on or around your pedalboard.
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Date Actuelle
mer. 21 oct. - 06:24 CEST