|
|
Audio Pro > Keyboard Magazine
vendredi 17 octobre 2025, 17:57
“I can’t take much more. Is it all like this?”, said Clapton
The producer, DJ and founder of one of the UK's most respected underground labels revisits a 2012 release to explore what he's learned in 15 years of releasing house and techno
We catch up with Nena on a song that reflected both the 1980s’ geopolitical tensions and the era's underlying optimism - and took some inspiration from Mick Jagger
There are a 14 of them in all, all handcrafted in Turkey
It might seem an obvious winner now, but Madonna’s Vogue was at first the speedily and cheaply-built flip side to an entirely different single
Blow Records has made £123,000 this year on Spotify
“He’d moved past the pop simplicity of Purple Rain - this was Gershwin-esque,' says drummer Bobby Z
Lifting the lid on the lost years, creative blocks and colossal sample-clearing process that resulted in the immaculate Wildflower
A new 1.1.0 firmware update brings sample slicing and sidechain-style ducking to the monochrome synth/sampler
'His legacy will live on in the hearts of the KISS Army,' says drummer Peter Criss
With insight from Paul Gilbert, John 5, Adam Dutkiewicz and Marty Friedman on their approaches to the recording process
jeudi 16 octobre 2025, 17:57
'I make this music for myself – it’s what I want to hear!'
Free up your performance with the $169 wireless XLR transmitter that gives you up to 70 feet of line-of-sight transmission
It was sadly to be Freddie’s last single with Queen before he passed away just six weeks after its release
They have to 'respond' to her line in Running Up That Hill
Fresh pickups, wraparound bridges, and just look at all those different colours...
Omnisphere 3 arrives with 'thousands and thousands' of new sounds, a new global control system, an expanded effects engine, patch mutation, MPE support – and much, much more
If you want stylish and robust DJ headphones, these classics have received an update
“Sampling the traditional way gets frustrating fast: bad tuning, rigid tempos, weird textures that don’t bend,” says Xavier de Rosnay
Analog tape machines have played a central role in music production history. But why, in today’s digital domain, do some still lust after the sound of tape?
|
|
Date Actuelle
mar. 21 oct. - 11:00 CEST
|